Protecting this Delicate Thing Called Hope

So much of writing for me is sitting my ass down and writing, even when I don't want to.  I have really good discipline.  I can write for fifteen hours straight sometimes, and then revise and edit for days and weeks afterwards.  The hardest part of writing I can do and have done since my first workshop back in 2002.  The other crucial part of writing for me involves psychological and emotional maintenance (aka self-care), which is just as important.  Normally, self-care for me means not only exercising, meditating, getting enough sleep, eating well, and going on dates with LB every week, but also ignoring my own negative thinking and putting myself out there again and again (even when it feels POINTLESS) and not getting discouraged (even when NOTHING is happening), which has been particularly difficult this summer. 

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Probably Nothing, Maybe Something, Nah Probably Nothing

So, an editor that I deeply admire at a major imprint just started reading DREAM POP ORIGAMI, my experimental memoir about patchwork hapa identity, and of course my internal dialogue for the past week has been nothing but:

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The Slowness of Being on Submission

I'm writing this entry mostly for myself, but also for other aspiring literary fiction writers looking for blog entries about what it's like going on submission as a literary fiction writer.

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