The Western canon has no objective nomination process, which is why it is both axiomatic and controversial. Literature written by (and often for) white writers is still treated as classic, crucial, and central to our literary archive, codifying a clear but tacit anglonormativity. But why have APIA voices been erased from the so-called “Great Books” for so long, and how should APIA writers respond to this longstanding erasure?Read More
I read a great story by celeste ng in one story. Despite its weak ending, it made me realize that i really don't have the slightest idea how to really write a story. or, said another way, i feel like all fiction writers wing it, and that's why sometimes it works and sometimes it doesn't cuz we don't really know what we're doing (or we have to figure it out for each new story we write). And though a collection of paragraphs doesn't constitute a story necessarily, sometimes we hit just the right note. creatively, i'm at a good place, but technically, i could def improve. ng's story made me realize that.