At Least I Know My Writing is Hot

And the battle continues, my friends:

Dear Jackson Bliss,

Pleased to have your project, " . . .", what a provocative title.  Clearly, your writing is HOT, which is why Tom Boyle recommended you, I’m sure.  And yet, I’ve found that I’m just not connecting w the material in the way I’d hoped, and am having some trouble w the narrative voice. It somehow reads more like a memoir than a novel, and can feel predictable. Of course, I could be totally wrong about this, and a big house may be excited to sign on. Otherwise I see this as a better fit for a smaller house, in which case you don’t necessarily need an agent. This is entirely an objective opinion, as you know, and I’ll wish you the very best with another agency!

Shall be cheering you on, and thank you again for the look, and for Tom’s kind referral.

Sandy Dijkstra

After the bad news, I did the one thing that always makes sense after a big rejection, I submitted my novel to Graywolf Press.  Ding, ding:  Round 9.

Sent My Second Novel to Sandra Dijkstra

If you'll remember, Tom ran into Sandra Dijkstra a year and a half ago at some literary event + asked him if he could recommend any up-and-coming fiction writers to her. TC Boyle was kind enough to recommend me (which was relatively easy for him to do because I'd just taken a workshop with him the previous semester so my work was pretty fresh in his mind), after which, she told him to tell me I should send her my novel. So, I stopped by Tom's office where he promptly hand-wrote a referral letter for me on SC stationery, sealed the envelope + then plopped the letter in outgoing campus mail. I was so flattered + excited. But then a week later, I sent Sandra Dijkstra a query letter with my first novel + I never received a reply. To be honest, I was really pissed off.

But because I'm a stubborn motherfucker + also because glitches in the matrix happen all the time, I decided to write Sandra Dijkstra a year letter with a new query letter for my second novel, just to see what would happen. And miraculously: It turns out that they never got my first query letter. This shit happens all the time, man. If anything, I was relieved to hear they hadn't received my first query letter because I was superfrustrated at not getting a response. Anyway, long story short, they apologized for not getting my first email but told me they'd love to read my second novel, so I've been doing a master revision for the past two weeks + I just sent them the entire novel a few minutes ago. Would it be fucking amazing if they picked me up? Hell yes. Do I think this is really gonna happen? No idea. See, one of my biggest problems is that I always think everything could change in a flash + I keep pushing for that moment to happen. But I make no assumptions, I just cross my fingers during these liminal moments + keep on writing. Maybe it'll work out. Maybe not, but either way, it's a chance I didn't have before.

Talking about Mountain Lions at TC Boyle's House

LB + I were in Santa Barbara last weekend.  I mentioned this to Tom earlier in the week + he told me to stop on by his house.  I believe the exact words he used were "pop by for a bit."  LB was fidgeting during the whole car ride, at the Vietnamese restaurant where we ate lunch with the unfriendly waitress, driving up the hill to Tom's place.  We parked on the street, kicked open a stuck gate door + saw this:

Then we walked down the pathway where Tom eventually greeted us at a side entrance. He gave us the grand tour of his amazing Frank Lloyd Wright house (which was the partial inspiration of The Women, a fact he pointed to us as we were talking around, taking in the pouring sunlight inside his house). I knelt on the floor and looked through Tom's glass bookshelves, filled in neat, long rows of his books translated into 12 different languages. Man, I thought, this dude is the straight dope. He's the real thing.

After introducing us to his 17-year old cat, who seemed shocked that I'd interrupt her during her catnap to pet her, we met Tom's wife (Karen) + then walked into the backyard and to an adjacent yard where Tom's daughter lives (I guess). Then we drank red wine with Tom, Karen, one of Tom's gregarious millionaire neighbors whose teeth were eerily perfect + his Siberian wife, Tom + Karen's daughter's boyfriend, Spence, + this dude who looked vaguely familiar, who was housesitting for Tom's daughter + I believe was also in the process of making Anne-Marie's book trailer for Two Dollar Radio Press. But I dunno, maybe I totally fucked up that whole who's who. LB + I politely passed on the stinky French cheese (because we're both vegan), but did nibble on potato chips. And man, some of the things we talked about were absolutely strange. A few highlights:

1. Speaking in French with The Man with Perfect Teeth (ah, combien tu me manques, la langue française!)

2. Getting in a long, heated, but largely one-sided argument with Tom's wife about what a total fascist Steve Jobs was + how much better Bill Gates was. The truth is, I love me some Apple products, but I abhor Apple labor practices in China in much the same way I abhor the manufacturing of virtually all tech stuff in Asia. I also love/admire the hundreds of millions of dollars that Bill Gates has donated to charities, as well as his immunization project since his retirement from Microsoft. But, as I pointed out, Bill Gates was as much of a fascist when he was Microsoft's CEO as Steve Jobs was with Apple (both of them stealing shit from the little guy), so it's a wash. This is where I thought we were gonna come to a compromise, but then Karen started ranting about the way Steve Jobs disowned his own daughter. This is when Tom came to my rescue + said that the topic we were talking passionately about was one of his wife's little obsessions.
--It's not an obsession, she snapped.
I laughed, sipped my wine, and realized I kinda liked Karen's spunk. She's got chutzpah, man

3. Getting in a prolonged conversation with Tom + the neighbor with the perfect teeth about--of all things--brown bears, moose and mountain lions. Tom said he's seen several mountain lions during his strolls around his neighborhood + had almost run into several bears too. I was thinking: Man, I have absolutely nothing to contribute to this conversation

4. Talking with Spence about living in Argentina for a year + learning the art of voseo + rioplaténse Spanish

5. Hearing Tom call my wife LB (which is my nickname for her that I claim is her actual name whenever I introduce her to people. Actually, it stands for "little bug," but Tom said he liked LB, in part, because it's like "TC")

6. Getting in a nice, long conversation with Tom about The Ninjas of My Greater Self, which he's probably going to read this summer since he's my thesis director. I told him that after not hearing from Sandra Dijkstra for a year, I'd sent her office a new query letter for NINJAS + got a gracious response soon after explaining that they never got my first query letter (which I totally believe) but that they'd love to read NINJAS. Tom seemed pleased about this. You have to remember: He ran into Sandra Dijkstra a year ago, who'd asked him if he had any writers to recommend + he told her about me + she'd shown interest in reading my work, so Tom had written a personal letter on my behalf right in front of me in his office. Then, I'd sent the agency a query letter for BLANK + nothing. Now, we know why. Obviously, this new development is much promising for me. FYI, I'm revising NINJAS for like the 100th time + I'm planning on sending Sandra Dijkstra my novel sometime in the next week. I also learned through talking to Tom with my stained, red lips + tannin in my teeth, that Sandra Dijkstra represents another one of Tom's former students, Chris Abani, author of Graceland, among other novels, so maybe, just maybe there's even a little precedent on my side. Either way, it's still an opportunity I didn't have before I was one of his students, so I'm extremely honored to have this chance.

7. Right before LB + I left, I told Tom about my vision: I want to become a spokesperson for a cultural revolution that embraces technological innovation (like my fucking dope new ipad I use to read the Huffington Post + Le Monde) but also consciously embraces old skool media, like record players + most importantly for me, hardcover books! He liked it. T

8. I confessed to Tom that I'm a writer because it's the only thing I'm actually great at. Sure, I can play piano + write electronic music pretty well. I'm proficient with foreign languages. I love understanding people + relationships, I'm intuitive + a passionate lover. I'm also a pretty good cook + my sense of style is respectable. But, writing is the thing I'm really fucking good at, the one thing where I feel I can make an important + unique contribution to this world. I may not be able to figure out a viable two-state solution in Israel/Palestine, but I can write the fuck out of a novel.

9. Tom told me I'm like him because my writing has a lot of energy + I love giving readings, I love the performative, interactive element of being an author as much as I love the writing itself, which is important. That's when I realized that I'm just a little bit like Tom (or an early version of him), which is probably one of the reasons I applied to SC in the first place, to work with such a literary legend.

Freedom + Hope: My Last Workshop + Sending a Query to Sandra Dijkstra

1. While I still have five more weeks of this semester, I'm officially done getting my shit workshopped forever! What an amazing feeling: Ah, the tangy taste of freedom! No, it's true, I'll be doing a private writing class with Aimee next semester, but that'll be one-on-one, the very opposite of workshop, in fact. Talking with Aimee is sort of like talking with a very insightful friend of yours who carries a pair of sheers with her wherever she goes + who is also way better published than you are. Not only do I not mind this private writing class next semester, I'm actually looking forward to it because it will force me--structurally, speaking--to keep working on The Ninjas of My Greater Self as I prepare for fields, which will be fun but also crazy stressful too. And while my workshops at SC were a 100 times more helpful for me than the pissing contests/genealogy of morals gang-bang I used to go through at Notre Dame, at the same time, I think I've plateaued with workshop just in general. I know what my strengths + weaknesses are as a writer. Now, it's really just about creating work that is its best version of itself. Through workshop + other venues, I've become very aware of what I do well + where I need help. So, thanks workshop. But now I'm gonna peace out.

2. I just sent Sandra Dijkstra a 25-page sampler of BLANK with a query letter. Hopefully she'll be intrigued enough that she'll want to read the entire manuscript. Based on her client list, I think she'll appreciate the strong, smart, independent female characters, the multicultural crew, the ambitious + intersecting plotline + above all else, the novel's return to history + culture, the love of language + the joy of storytelling in BLANK. But if for some--tragic--reason she rejects BLANK, I'm still planning on asking her if she'd like to see $67 for My Favorite Dictator, my collection of short stories +/or whether she'd be interested in reading Ninjas once it's finally done--whenever that is.

Talking Field Exam Reading Lists + Agent Referrals with TC Boyle

Since he's my thesis adviser + also a former teacher of mine, TC Boyle told me to stop by his office soon after the recommendation snafu to talk about my Post WWII reading list for fields. I also wanted to talk to him about getting a referral to Sandra Dijkstra. Stop on by, he emailed. After teaching, that's exactly what I did, a slight spring in my step. Must be the sunshine.

1. Field Exams

When I walked into his office, the dude looked fucking exhausted.

I shook his hand + said:
You look fucking exhausted. I am, he said, leaning his head back.I saw you on Bill Maher's Real Time.Oh yeah?
I nodded.
Yeah, it's the only time I've seen you in a group of people where you're not talking the whole time.
We both laughed.
I don't like dealing with talking heads.
After chatting a little more, I handed him my proposed reading list for the field exam I'll be doing with him, post WWII literature. He read the list + nodded:
Well, this looks great.I'm not sure what critical connections I'll make yet, but once I've read 1/4 to 1/2 of them, I'm sure I'l see them.Well, I've read almost every book here.I haven't a read single book on that list. That's why I picked'em.
He looked up.
I thought it would be a perfect excuse to read a bunch of books I've always wanted to read but haven't.That's brilliant.

2. Sandra Dijkstra

Once we'd finished figuring out the details for my reading list, I paused, turned to Tom + said:
—So can we talk about Sandra Dijkstra?—Sure. It's time to get you an agent so you can get your books published. What's up?—Well, I'm still waiting to hear from the Irene Goodman Literary Agency but I'm getting antsy + I don't want to wait anymore, so I wondered whether you might give me a referral.—Of course. I told you I'd be happy to.I took a look at her client list + it's pretty rad.*Well, I already talked you up to her.—Awesome.—Okay, how about this? I'll write her a letter right now. When will you send her a manuscript?—Tomorrow.—Great. Okay, are you going to send her Ninjas?—I'm not sure. I kinda want her to take a look at BLANK before I send her Ninjas. But I haven't decided yet.—Okay, well, he said, pulling out a piece of SC stationery + scribbling a note to Sandra Dijkstra, I'll send this today, should get to her by tomorrow + you'll send your manuscript to her tomorrow + a short letter mentioning some of her clients you admire. . .—Okay, great.

I'm not sure what's going to happen with any of this + I haven't closed the door to the Irene Goodman Literary Agency at all, but a little competition won't hurt anyone. Besides, from reading literary agent blogs, I get the very strong impression that agents are naturally fierce with each other + accept competition because they have to (it's part of the industry), even embracing it sometimes. So we'll see what happens. Even so, I'm flattered that Tom actually talked me up to such a big agent. That shit is flattering.

Now, back to The Ninjas of My Greater Self



*Chitra Banerjee Divakaruni, Lisa See, Susan Faludi, Maxine Hong Kingston, Amy Tan

When TC Boyle Treats Your Success as a Fiction Writer as if It's Inevitable when It's Not but You Really Want it to Be

A few weeks ago, I was chatting with my Turkish friend Marve(y) on campus. It was one of those perfect, idyllic LA days + I was laughing about, fuck I dunno, something, when Tom walked up to me + said: --I recognize that laugh a mile away.
--Hey Tom, I said. Oh Tom, this is my friend Marve(y)
--Hello, she said, blushing.
--Hi, nice to meet you, he said. Then, turning to me: Jackson, he said, stop by my office sometime. Let's talk.
--Okay, cool, I said.

The moral of the story is: When TC Boyle goes out of his way to say hi to you + tells you to stop by his office, you fucking stop by his office.

The next week, I did just that + went to his office.

--So, he said, what did Georges say?
--He said that he was impressed with my writing but also had some concerns that I had too many narrative strands in Ninjas, but he didn't want to prejudge, so he told me to send him the whole manuscript once I was done.
--Good, he said, smiling.
--Of course, it won't be ready for a year until I have a definitive draft. I'm only to page 200.
--Me too, but anyways, that's good that he wants to read the whole thing.
--Yeah, I guess so. How fast do you crank out a novel?
--Pretty fast. I'm working on a historical novel right now about the San Juan islands. I think we already talked about this.
I nodded.
--Listen, I was talking to Sandra Dijkstra. Are you familiar with her?
The truth is, I was trying to figure out whether my friend from Glenn Loomis Elementary School, Greta Dijkstra, had changed her first name + was friends with Tom for some bizarre reason. Finally, I decided that didn't make any sense, because, truthfully, it doesn't. I shook my head.
--She's a good agent. Tough, but very good. She asked me if I had any writers I could recommend to her. So maybe if it doesn't work out with Georges. . . Anyway, check out her website.
--Wow, awesome. Thanks Tom.
--Sure.
--The crazy thing is, I said, on the same day I got Georges's response, I also got a solicited email from the Irene Goodman Literary Agency.
Tom gave me a blank face.
--They do commercial, literary, genre + literary non-fiction.
--Oh, that's normal. Even Georges did a workout book with Jane Fonda.
--Really? I said, incredulously.
--Sure, why not? Some things just fall on your lap like that.
--Crazy.
He nodded.
--They asked for the whole manuscript of BLANK + also an outline of Ninjas.
--They're going to pick you up, he said.
--Really?
--Definitely.
--I dunno Tom, I'm playing it cautiously.
--Well, this is great. Maybe it'll work out with Georges. But if not, this might just be perfect for you. Or you can send something to Sandra.
--I also sent my story collection to Greywolf.
--Oh, he said, great press. I think that's a great idea: publish your stories with Graywolf + then get one of your novels out there. That's the way to go.

I love Tom, I really do + I especially appreciate how he talks about my own success as a fiction writer as if it's inevitable. It's a beautiful, wonderful thing to have someone like him giving you that kind of encouragement. But right now, at least for right now, it doesn't feel inevitable. I'm not being pessimistic (it's not my thing at all). I'm just being cautious. A secret part of me feels that it will happen--all of it--but admitting that out loud makes you sound arrogant + cocky + when it comes to this industry, I'm neither. Still, you have to believe things are going to work out. Otherwise, you stop hoping. And when you do that, you start writing solipsistically (or you stop writing--something I could never do), which means, you ignore everything that's flawed + amazing + impossible + heartbreaking about this world. Then you're really fucked.